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sábado, 14 de septiembre de 2013

Pennsylvania Miracle Man? That's Me!

Posted on 15:11 by Unknown
If a picture is worth a thousand words; then the average two-hour movie, at 24 frames per second, is worth 172,800,000 words. I cannot even being to fathom the amount of words that Andrew has seen through four years of watching and blogging.

            It’s an astronomical achievement for him to have stuck with it this far, through all of the films both spectacular and atrocious. If you think about all that goes into one review then you cannot help but admire what he’s done. Think about it for a second: he probably comes home from work; has dinner; watches the film, no matter how good or bad; formulates his thought; writes a review, which if you’ve ever written anything for a blog you’ll know that it takes around one and a half to two hours; and finally reads and replies to comments in a thoughtful manner. All this is done, simply because he has a limitless passion for film, and his site. There is a reason most of his reviews are postmarked at one in the morning, because that’s how long it takes him to truly make the reviews worthwhile for all of us.

            There’s a reason that Andrew was one of the first people I contacted in search of a guest appearance. He always has a reason for his thoughts, no matter who’s favorite classic he may be trashing, or which bomb of someone’s that he’s praising to the heavens. I, like most everybody who reads his reviews regularly, doesn’t always agree with him (Touch of Evilonly 5/10?????), but we cannot argue that he doesn’t have a why. That’s probably the greatest reason that the 1001 movie man has been such a success, he always has a real reason.

            Andrew has always been there to champion both his personal favorites (see Sideways), and the little films that are often overlooked in the book (see Woman in the Dunes). Andrew was also never afraid to call a spade a spade per say, and throw the book at something that he didn’t connect with (see Naked Lunch).  


            This fourth anniversary marks a special time in Andrew’s blog; simply because I don’t know how many more yearly anniversaries that we can fit in, before he finishes his endeavor. As of September 14th, 2013, Andrew has 273 films to go. When he reaches that eventual day where the fifth edition is complete, I will be insanely proud of my friend for having achieved a monumental accomplishment. Today stands as a true achievement for Andrew, the real Pennsylvania miracle man (bonus points if you get that reference). No matter what happens in the upcoming years, to make it to four years of blogging is an achievement unlike any other. So congratulate the 1001 Movie man, and try not to be too hard on him for reversing his original opinions on Requiem For a Dream.  

By Thomas Wishloff

----

Thank you to Thomas for his very kind words....thank you very much!
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Four Years Later...

Posted on 8:27 by Unknown
Can't believe it's been four years....yada, yada, yada
Seems like only yesterday....yada, yada, yada
728 movies later....yada, yada, yada

It's been four years, I think anyone who knows the blog can fill in the "yada, yada, yada" and I can get this show on the road. It's not that I want to undermine those sentiments, it's just that I've said all that stuff before, multiple times and to repeat myself here would be redundant. So...what to talk about....

THANK YOU

Well, I definitely want to say a few "Thank You's", as I never get tired of thanking anyone and everyone who shows support. First and foremost my lovely wife Ruth for giving me the time and being patient when I have "just twenty minutes left of Mean Streets" or "just need to type up this review real quick, babe". She's super supportive and has been onboard since day one and for that, I am forever grateful. Thank you Ruth.

Of course I am ALWAYS grateful to the wonderful people who come and leave comments. If you're willing to take the time to ponder my opinions, heed my suggestions or just read something I wrote, I think that is awesome and I am grateful. I want to especially thank Ray from the UK, not only a commenter, but also someone who took the time to mail me out a few of the harder to find titles, on his own dime. Also a big congratulations to Ray who is only steps away from completing THE BOOK himself. Thank you Ray.

Thank you to Karen Burroughs Hannsberry, who not only collaborated with me on "Seven Shadows Week" last year, but also invited me to take part in The Dark Pages Newsletter: Giant Issue that comes out this December. I'll let all of you guys know the details when it gets closer, but I spent a good week hammering out a pretty extensive biography of Burt Lancaster, which I was pretty proud of, that will appear in that issue. Thank you Karen.

Also a big thank you to Barron's Educational Series and notably Eric for making sure I got a copy of the newest edition this year. I meant what I said about the new book and despite my dislike for some of the choices, it really is a beautiful copy of the book. Thank you Eric.

Thank you to the boys of The Big Kahuna Burger Podcast for welcoming me as a guest. I was super excited to get the call to come and do the show and I look forward to going back. Thank you Thomas.

And I hope I didn't forget anyone...

WHAT HAPPENS WHEN I'M DONE?

By this time next year, I plan to have less than 100 films to go. I figure I'll get to 800 watched by the end of this year, 900 watched by the middle of next year and start the final 100 somewhere around next August or so, finishing up by the end of 2014. So what happens to the blog when everything is said and done? Well....I'll tell you, but it's going to take a lot of explaining....so buckle up.

STEP ONE: 1000 MOVIES YOU REALLY MUST SEE BEFORE YOU DIE: A PERSONAL, ONGOING CANON OF MY 1000 FAVORITE FILMS

So that's not really STEP ONE, but rather, the ultimate goal for me. You've heard me say since day one here at the blog things like "Man, this should really be in THE BOOK" or "WOW, can't believe this isn't in THE BOOK". Well now it will be my turn to take matters into my own hands and make my own BOOK. No, I'm not actually publishing or even making an actual book, but I am making a list and so far that list houses 210 movies. The 210 movies that it houses is EVERYTHING that has ever appeared on a TOP 20 list, including the "Ten Worth Mentioning" movies. I will continue to add to that list as I finish THE BOOK and when I'm done with THE BOOK, the list should have 300 titles.

To view that list in it's current form, click here

STEP TWO: SECOND CHANCES

Okay, so in this glimpse into the future, I've just finished watching every film from THE BOOK. Now what?

Ever since I made my first TOP 20 list, after I was finished picking out the twenty films and the ten honorable mentions, I would go through one more time and set aside another ten films that I would've liked to have taken one last look at or films that were REALLY good, but just didn't have enough "oomph" to make the list. Well, I'm going to give myself the opportunity to take one last look at those films. When I'm done with THE BOOK, I plan to go back through and re-watch 125 movies from THE BOOK: The 100 that I set aside (ten from each set of 100 films that I watched) and 25 wild cards or films that even after setting aside an extra ten, still needed a second look. From there, I'll make an 11th TOP 20 list from those films and those twenty (NO "Ten Worth Mentioning") will go onto the list in STEP ONE. So that's what I'll do immediately after finishing THE BOOK. I haven't worked out EVERY detail yet, but I highly doubt I'll redo any reviews, maybe just some quick thoughts and new ideas. Everybody on the same page so far?? Okay, lets continue....

To view the "Second Chance" list in it's current form, click here (Please note that the wild card films have yet to be selected and WILL NOT be selected until I am completely finished with THE BOOK.)

STEP THREE: 1000 MORE MOVIES

I think this one's pretty self explanatory. I have a list of 1000 COMPLETELY DIFFERENT films lined up and ready for my eyes and when the Second Chance movies are gone through, my journey will restart, TOP 20 lists will continue to be made & added to my personal list and full reviews will be written, just like I've been doing. What is this list you ask....

*Every movie on The New York Times' Best 1000 Movies Ever Made list, that didn't appear in THE BOOK.
*Every movie on the They Shoot Pictures, Don't They? Greatest 1000 Films: 2013 Edition list, that didn't appear in THE BOOK.
*Every movie that has appeared in other incarnations of the 1001 Movies You Must See Before You Die book, that weren't in the 5th edition that I've been working out of.
*Every movie that won the Academy Award for Best Picture, that wasn't in THE BOOK. (Just needed this one to round out the list).

With those lists, including everything that wasn't in THE BOOK, that brings the total to 991 (It says 998, but there's one on there in eight parts that counts as one). I'll probably finish off the last nine spots with everything that is nominated for Best Picture this year, just to get some 2013 stuff on the there.

To view that list, click here.

---

So that's about as far ahead as I've thought and that's the plan moving forward. Of course, I'm not finished by a long shot, so I don't want to get ahead of myself and you probably won't hear me referencing this stuff too much, as I want to focus on the task at hand, which is finishing those last 273 movies from the 1001 Movies You Must See Before You Die book. I just thought that the fourth anniversary would be a nice time to unveil these plans and let you guys in on what I'm thinking and where this blog will go in the future. I'll probably create some new links, either at the top of the page or on the side, so that all of these lists are readily available. Thanks for reading, as always and I hope I continue to have everyone's support.

September 14, 2013  11:26am

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viernes, 13 de septiembre de 2013

564. Mean Streets (1973)

Posted on 22:00 by Unknown

Running Time: 110 minutes
Directed By: Martin Scorsese
Written By: Martin Scorsese, Mardik Martin
Main Cast: Harvey Keitel, Robert De Niro, David Proval, Amy Robinson, Richard Romanus
Click here to view the trailer

SCORSESE WEEK: CHAPTER THREE

Just a quick programming note before we proceed with the "Mean Streets" review: I've just finished recording The Big Kahuna Burger podcast, where myself and Thomas, the host, talked in-depth about the new edition of THE BOOK. I'll let everyone know when the episode will be available for download and I hope you'll all go and hunt The Big Kahuna Burger podcast down on iTunes and give it a listen. I'll be joining them again soon for an episode entitled "Scorsese: Overrated or Not?". Now then, "Mean Streets"...


This was Scorsese's big, breakout picture, following "Who's That Knocking at My Door" and "Boxcar Bertha". The movie stars Harvey Keitel as Charlie Capp, a small-time, Italian-American who hopes to one day be a major player in the criminal underbelly of Little Italy. Charlie is normally surrounded by his partners in crime: the irresponsible Johnny Boy (De Niro), loan shark Michael (Romanus) and bar owner Tony (Proval). When the film begins, it is sort of told in vignette style, as Scorsese sets up the characters and their motives, showing us that they're wannabe big shots, who are in reality small timers. This is made clear when Michael and Tony take a couple of school age kids for $40 intended to be in exchange for fireworks. Let's just say they aren't mad when they realize the kids stiffed them and only paid $20. Charlie is also dating Johnny Boy's cousin, Teresa (Robinson), which Johnny Boy is oblivious to. Throughout the picture, there is a running story line with Johnny Boy owing money to Michael and Charlie playing the mediator.


So I've taken care of the two big boys ("Taxi Driver" and "Raging Bull") and now we're going to cover the other, four Scorsese films from THE BOOK. We kick it off with "Mean Streets" which is very obviously a personal piece from Martin Scorsese, as it's very obvious that Scorsese is inviting us into his own backyard, for a birds eye view of life growing up on the "mean streets", as viewed by the director. I've just watched "Taxi Driver" and "Raging Bull" two films that earn their praise when it comes to calling them classics, so going to "Mean Streets" next is of course going to make it harder on this movie to get into my good graces. I will say, however, that despite a barely there plot and amateur camerawork, the film isn't all that bad and works decently. It's not blow away great or anything, but maybe that's just me talking, with the fumes of TD and RB still filling my nostrils. It is a, as I said, a very personal project and therefore, perhaps, not entirely for us, but more for Scorsese filling his own needs, making the picture that he wanted and not the one that was necessarily going to appeal to the masses. It just so happened that it did appeal to many and therefore, labeled a "must see" by THE BOOK.


I've got to say that going from leading man De Niro to leading man Keitel was a bit of a jump though. De Niro earns his acclaim in "Taxi Driver" and "Raging Bull" and I just, for some reason, have a hard time buying Keitel as a leading man. He's good and all, I'd just rather be watching De Niro hammer zingers over the centerfield wall. If you're watching "Mean Streets" on its own merits, then it's a fine picture, a really good one even. But I'm pretty sure that watching the two Scorsese knockouts first, have made me think twice about giving "Mean Streets" the same high marks. It's just not as good a film, not as interesting a premise, doesn't feature as good of performances and is more of a personal piece, rather than a public piece.

RATING: 6.5/10  Sorry for the quick words ladies & gents, but I'm beat to a pulp tonight and ready to submit to the warm embraces of my bed. This is good though and as long as you watch it with a fresh eye, you might really enjoy it. I could see it growing on me.

MOVIES WATCHED: 728
MOVIES LEFT TO WATCH: 273

September 14, 2013  12:57am

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1001 Movies You Must See Before You Die: Completely Revised and Updated Edition (2013)

Posted on 8:56 by Unknown

So we've already done this once before, but once again the great people at Barron's Educational Series have been awesome enough to chuck me out a review copy of the latest edition of THE BOOK. The new book hits stores next month, I believe, and because a twenty-five year old had a whim and started a blog, watching all of the 1001 movies contained in the "1001 Movies You Must See Before You Die" text, he got a free copy and you reap the benefits, because now I get to tell you all about it! First and foremost a HUGE "thank you" to the people at Barron's for sending me this, especially Eric who never got tired of me nagging him via e-mail about the whereabouts of the latest edition. They're a great bunch of people over there, take my word for it!

I also want to reiterate that I AM NOT switching editions. Yours truly is still working out of the Indiana Jones edition and will continue to work out of the Indiana Jones edition until it's done. There is some talk about me going back and watching movies that have appeared in any incarnation of THE BOOK, but I'll get into that more in-depth in the Fourth Year Anniversary post, coming this weekend (hopefully).

So lets start with the INS & OUTS and then I'll get into some of the cosmetic features of the new book, which are just as exciting as the inclusions and exclusions. I also want to point out that the following list of INS & OUTS are NOT a comparison between this book and the Black Swan edition (the last edition I reviewed on the blog). Apparently there was an edition in between those editions, that featured "Tinker Tailor Solider Spy" on the cover and I believe was exclusive to the U.K. That edition included some films from 2011, such as The Descendants, Hugo, War Horse, The Artist and Bridesmaids.

I also want to say that I was SHOCKED at some of these changes, especially the exclusions. I'll get into whether I think they were good or bad ideas, but know that THE BOOK didn't just change the films that have come out in the last few years, but actually went back and revised the ENTIRE THING! Here we go....

IN
1) The Great White Silence (1924 - Herbert G. Ponting) - Like many of the new films, I've never heard of this. I'll probably just be listing the majority of these and throwing in words when I've actually seen the film.
2) The Eagle (1925 - Clarence Brown)
3) The Adventures of Prince Achmed (1926 - Lotte Reiniger)
4) A Throw of Dice (1929 - Franz Osten)
5) Limite (1931 - Mario Peixoto)
6) The Goddess (1934 - Yonggang Wu)
7) Peter Ibbetson (1935 - Henry Hathaway)
8) The Lady Vanishes (1938 - Alfred Hitchcock) - I've  seen this one. They also removed a couple Hitchcock films and I can't say I agree with the inclusion of this one, over the exclusion of the ones they took out.
9) Mrs. Miniver (1942 - William Wyler)
10) Summer with Monika (1953 - Ingmar Bergman) - Beware Begman fans, you have to pay for this...
11) The Man with the Golden Arm (1955 - Otto Preminger)
12) Oklahoma! (1955 - Fred Zinnemann)
13) Some Came Running (1958 - Vincente Minnelli)
14) The Exiles (1961 - Kent MacKenzie)
15) The Exterminating Angel (1962 - Luis Bunuel) - A fascinating film about a group of bourgeoisie who can't seem to leave a particular room, even though nothing stops them from doing so. I don't know how good it is, but it will have you talking and thinking. I'm okay with this one...
16) Mary Poppins (1964 - Robert Stevenson) - Kind of surprised this one wasn't in there already. Not because I like it, but just because.
17) Wake in Fright (1971 - Ted Kotcheff) - This looks REALLY good...
18) The Devils (1971 - Ken Russell)
19) The Hired Hand (1971 - Peter Fonda)
20) F for Fake (1973 - Orson Welles)
21) The Towering Inferno (1974 - John Guillermin)
22) Sleeping Dogs (1977 - Roger Donaldson)
23) Christ Stopped at Eboli (1979 - Francesco Rosi)
24) Diva (1981 - Jean-Jacques Beineix)
25) The Draughtsman's Contract (1982 - Peter Greenaway)
26) Local Hero (1983 - Bill Forsyth)
27) Wall Street (1987 - Oliver Stone)
28) Dead Ringers (1988 - David Cronenberg) - Always wanted to see this, never did. It looks really good. Beware Cronenberg fans, you have to pay as well...
29) Robocop (1988 - Paul Verhoeven)
30) Distant Voices, Still Lives (1988 - Terence Davies)
31) Field of Dreams (1989 - Phil Alden Robinson) - Umm kind of an odd choice. I don't hate the movie or anything, but certainly wouldn't call it a must see.
32) Hana-Bi (1997 - Takeshi Kitano) - Again, this LOOKS really good...
33) Boogie Nights (1997 - Paul Thomas Anderson) - So they bit the bullet and put this back in. Can't say I agree with them, but it's well liked by everyone but me, so whatever.
34) Gangs of New York (2002 - Martin Scorsese) - Only saw it one time, years ago, but remember hating it.
35) Russian Ark (2002 - Aleksandr Sokurov)
36) Bowling for Columbine (2002 - Michael Moore) - Big thumbs up to them for this one. In my opinion, the best Moore documentary of them all.
37) Elephant (2003 - Gus Van Sant) - Another thumbs up here. I actually reviewed "Elephant" just a few months ago in a recap and gave it good points.
38) Aileen Wuornos: The Life and Death of a Serial Killer (2003 - Nick Broomfield)
39) Osama (2003 - Siddiq Barmak)
40) Moolaade (2004 - Ousmane Sembene)
41) The Consequences of Love (2004 - Paolo Sorrentino) - I've got to hand it to them, they've included a bunch of stuff that, at least, looks good.
42) Toy Story Trilogy (1995, 1999, 2010 - John Lasseter) - Yep, they're all included as one now. I'm all for them all being in THE BOOK, but am not sure they're so closely connected (like "The Lord of the Rings") that they warrant a combined inclusion...Oh well...
43) Cave of Forgotten Dreams (2010 - Wener Herzog)
44) The Cabin in the Woods (2012 - Drew Goddard) - Unreal that they actually put this in THE BOOK! My wife and I saw this flick earlier this year and while I'll admit the idea was there, the execution was not. This was garbage, in my view.
45) Lincoln (2012 - Steven Spielberg) - I couldn't make it through this one, but I get why it's in.
46) Les Miserables (2012 - Tom Hooper)
47) Django Unchained (2012 - Quentin Tarantino) - Glad it's in, I just hope it can hang on after next year's cuts.
48) Skyfall (2012 - Sam Mendes)
49) Life of Pi (2012 - Ang Lee)
50) Argo (2012 - Ben Affleck)
51) Amour (2012 - Michael Haneke)

Now I'll have a lot more to say...

OUT
1) Way Down East (1920 - D.W. Griffith) - I liked it, but I'm fine with it being gone. Five Griffith films was a bit much anyway. Only wish they'd axed "The Birth of a Nation" or "Intolerance" instead, but get why they didn't.
2) Seven Chances (1925 - Buster Keaton) - WHAT?!! WHAT?!! NO!!! Okay, I'm done. This WAS my favorite of all the Keaton films. Can't believe they axed it. Big mistake, in my view.
3) Le Million (1931 - Rene Clair) - Again, I'm not happy about this one either. I actually purchased this on DVD not long after watching it for THE BOOK, as I really took to this one.
4) La chienne (1931 - Jean Renoir) - Okay, so far they've eliminated four movies I liked, three of which have made some sort of impact on past TOP 20 lists. COME ON!!
5) Me and My Gal (1932 - Raoul Walsh) - Okay, this is becoming a personal attack, as I gave THIS movie a positive review too!
6) Judge Priest (1934 - John Ford) - Another one that made my the Ten Worth Mentioning section of the first TOP 20. HOWEVER, I kind of get why it's gone and actually, with some thought, it may not even make my TOP 20 list in hindsight.
7) Sabotage (1936 - Alfred Hitchcock) - One of the few Hitch films I'm okay with losing.
8) Babes In Arms (1939 - Busby Berkeley) - Now we're cookin'! This was totally expendable.
9) Dance Girl Dance (1940 - Dorothy Arzner) - Probably one of the most forgettable films from THE BOOK. Good choice for the boot.
10) I Walked with a Zombie (1943 - Jacques Tourneur) - I know someone who's going to be PISSED about this one. I, however, am glad to see it go...very glad!
11) Spellbound (1945 - Alfred Hitchcock) - Another Hitch film I'm okay seeing go and PERHAPS the worst one in the entire BOOK. They've made some bad choices thus far, but just as many good ones, by my count.
12) The Stranger (1946 - Orson Welles) - I've never seen "F for Fake" but I HIGHLY doubt it's nearly as good as this masterpiece. A travesty that this is gone!
13) The Ghost and Mrs. Muir (1947 - Joesph L. Mankiewicz) - Just watched this and gave it low marks. Very glad to see it get the axe!
14) Angel Face (1952 - Otto Preminger) - Love me some Robert Mitchum, but this wasn't a good movie. Good choice...
15) The Big Sky (1952 - Howard Hawks) - AWFUL movie and so freaking glad they cut it. I only wished they'd cut it sooner...a lot sooner.
16) Beat the Devil (1953 - John Huston) - Haven't seen this one yet, but  one less Bogart movie has gotta' be a good thing.
17) Seven Brides for Seven Brothers (1954 - Stanley Donen) - Haven't seen it yet...
18) Animal Farm (1954 - Batchelor, Halas) - Had a hunch this was only included because it was the first U.K. produced animated movie. It's okay, but it's definitely NOT must see.
19) The Man from Laramie (1955 - Anthony Mann) - Haven't see it yet...
20) The Man Who Knew Too Much (1956 - Alfred Hitchcock) - So yeah, "The Lady Vanishes", IN; "The Man Who Knew Too Much", OUT doesn't sit well with me. I cannot believe they axed this one.
21) The Young One (1960 - Luis Bunuel) - Haven't seen it yet....But Bunuel fans, this is how you paid for "The Exterminating Angel". Was it worth it?
22) One Eyed Jacks (1961 - Marlon Brando) - Totally fine with this being gone. Good but not good enough.
23) Winter Light (1963 - Ingmar Bergman) - The best Bergman film from the old edition of THE BOOK, GONE! Wow! I REALLY liked this one. Haven't seen "Summer with Monika"...Was it worth it Bergman fans? I, myself doubt it.
24) Hombre (1967 - Martin Ritt) - Really sad to see this one go too, as I'd have never seen it without THE BOOK and I really liked it.
25) 1900 (1976 - Bernardo Bertolucci) - Kind of a ballsy move on their part to axe this one. I'm totally fine with it and am glad new BOOK watchers will be rid of it.
26) Five Deadly Venoms (1978 - Cheh Chang) - Haven't seen it yet...
27) Three Brothers (1981 - Francesco Rosi) - Are there any Francesco Rosi fans out there? I'm totally cool with the choice to axe this one, but was it worth it in exchange for "Christ Stopped at Eboli"?
28) The Last Battle (1983 - Luc Besson) - *sigh* This is kind of a travesty too. I considered this one to be a big find for me and now future BOOK watchers won't have it to look forward to. Bad decision...
29) Utu (1983 - Geoff Murphy) - Ray might get a chuckle out of this one, considering all the trouble we both went to for me to see this and for it now to be gone. But yeah, it deserved to go.
30) The Official Story (1985 - Luis Puenzo) - Nothing worthwhile here. Good choice for the boot.
31) Housekeeping (1987 - Bill Forsyth) - Haven't seen it yet....But Forsyth fans, was it worth it for "Local Hero"?
32) Landscape in the Mist (1988 - Theo Angelopoulos) - Well, I'd have rather seen "The Travelling Players" go, but I can handle this exclusion too. This wasn't bad though and looked SPECTACULAR!
33) Story of Women (1988 - Claude Chabrol) - Haven't seen it yet...
34) Drowning by Numbers (1988 - Peter Greenaway) - Haven't seen it yet...Greenaway fans was it worth it in exchange for "The Draughtsman's Contract"?
35) Say Anything (1989 - Cameron Crowe) - Mistake in my eyes and actually can't believe they did it. I can handle it though.
36) Reversal of Fortune (1990 - Barbet Schroeder) - Good film, but it WAS expendable. This is fine.
37) Jacob's Ladder (1990 - Adrian Lyne) - Haven't seen it yet...
38) Naked Lunch (1991 - David Cronenberg) - SO SO SO GLAD this is gone!! However, I'm sure a lot of people are going to be pissed. Cronenberg fans, this is how you paid for "Dead Ringers"; worth it?
39) Aileen Wuornos: The Selling of a Serial Killer (1992 - Nick Broomfield) - Have doubts that "Aileen Wuornos: The Life and Death of a Serial Killer" is any better, but this was a good cut.
40) Toy Story (1995 - John Lasseter) - But we got the entire trilogy, so this really isn't a cut.
41) Casino (1995 - Martin Scorsese) - Haven't reviewed it for the blog yet, but I have seen it and remember liking it pretty well. I'll give official details in a few days when I watch it for Scorsese Week, but this was a ballsy move in my opinion and from what I remember, a dumb one.
42) Pi (1998 - Darren Aronofsky) - Didn't make the TOP 20 that season or anything, but it was close and I really liked and pondered this one. Mistake to boot it, in my view.
43) Dancer in the Dark (2000 - Lars von Trier) - Honestly, didn't care for it THAT much. Would like to give it another go someday, but I'm okay with this one being gone.
44) Kandahar (2001 - Mohsen Makhmalbaf) - Good cut, totally forgettable.
45) La Vie en rose (2007 - Olivier Dahan) - Didn't really do much for yours truly. Cotillard was great, but the film itself was lacking.
46) Anvil! The Story of Anvil (2008 - Sacha Gervasi) - Not in my edition and haven't seen it...
47) True Grit (2010 - Coen, Coen) - Not in my edition, but have seen it and really didn't like it AT ALL. Glad to see it gone from the new edition.
48) The Girl with the Dragon Tattoo (2011 - David Fincher) - Not in my edition and haven't seen it...
49) War Horse (2011 - Steven Spielberg) - Ditto
50) The Descendants (2011 - Alexander Payne) - See "True Grit"
51) Hugo (2011 - Martin Scorsese) - Not in my edition, haven't see it and who did Martin Scorsese piss off?

So there you have it, all of the inclusions and exclusions from the newest edition of the "1001 Movies You Must See Before You Die" book. For newcomers to THE BOOK, you have a fresh list to work off of. Unless you heed my advice and go back and watch some of the ones they cut though, you're going to be missing out on some really good films (The Stranger, Seven Chances, Say Anything, Le Million, The Man Who Knew Too Much and Winter Light, to name a few). If you're not looking to watch all of the films and just want to pick up THE BOOK as a coffee table, conversation starter, that's totally fine as well and would be a great Christmas gift for any movie fan. I can tell you honestly that I spent a good hour and a half perusing the new book the other day when I got it and when I first got THE BOOK, four years ago, I found myself leafing through it constantly, reading synopsis', checking to see if this was in there or that was in there. It's a GREAT book if you're a movie fan, bottom line and no one told me to say that or anything, that's just my opinion.

For the people that already own a version of THE BOOK, it may be time for an update and this is the one to pick up. Not only have they altered 51 films in THE BOOK, but they've also totally redesigned the layout, added TONS of new pictures, added pictures of film posters to a lot of the entries (above the cast & crew information), added memorable quotes (either from critics or from the film) to a lot of the entries and added some fun facts to a lot of the entries. You still get the same introduction, the same checklist and the same index in the back of the book, but it's an all new experience, even if you've already leafed through your copy until the spine has been rendered useless. I may not agree with all of the changes, but I commend the book writers (notably Steven Jay Schneider) for going back and giving the book a full makeover.

If there's one thing I could REALLY criticize it's that I didn't like how they seemed to replace films with like films. For example, a Bergman movie gets cut and a new one goes in. Same for Bunuel, Cronenberg, Forsyth, Rosi and Hitchcock. As if, they said "Well if we cut one of their films, we MUST include another one from them". I just don't like that idea and it doesn't seem to lend itself to an honset 1001 must see films, but rather like they're working from a specific model. Honestly, none of the inclusions BLEW ME AWAY and we're still missing some essential films like "Dial M for Murder", "Life is Beautiful", "Knife in the Water", "Scenes from a Marriage", among others.

Once again, I'd like to thank the GREAT people at Barron's Educational for hooking me up, yet again, with a review copy of the latest book. I haven't been told to say anything and when I say that all film fans are going to WANT this book, I'm not kidding. Even if you don't agree with all the selections, film fans are usually gaga for lists and this is the mother of all lists.

September 13, 2013  11:54am

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jueves, 12 de septiembre de 2013

668. Raging Bull (1980)

Posted on 20:39 by Unknown

Running Time: 129 minutes
Directed By: Martin Scorsese
Written By: Paul Schrader, Mardik Martin, from book by Jake La Motta, Joseph Carter, Peter Savage
Main Cast: Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana
Click here to view the trailer

SCORSESE WEEK: CHAPTER TWO

A few things to talk about before I get into the movie:

1) As I said in the "Taxi Driver" review, this Friday night I'll be joining the boys on The Big Kahuna Burger Podcast to talk film, specifically Martin Scorsese. I really hope you will all go and give them a little support, not just for my episode, but for all the great episodes they've done. Any and all information on The Big Kahuna Burger Podcast can be found by clicking here.

2) The newest edition of the "1001 Movies You Must See Before You Die" book has arrived at my house, in review copy form and I must say I was SHOCKED at some of the inclusions and exclusions. I'll be on the blog hopefully someday this weekend to talk, in depth, about the ins and outs and what I think of the newest, TOTALLY REVISED edition.

3) Yesterday the blog celebrated it's fourth birthday and again, hopefully someday this weekend I'll be on the blog for a special four year anniversary post, where I'll do a whole lot of thanking and general reflections and probably also use the time to hype the podcast appearance and talk about how it all went.

So there's lots going on this week. Add to that the FINAL director tribute week, as we pay homage to the great Martin Scorsese, by watching some of the biggest titles from THE BOOK. "Raging Bull" may be the biggest of the Scorsese lot.


Martin Scorsese's seventh picture, "Raging Bull" tells the story of Jake La Motta (De Niro), top middleweight boxing contender and Italian-American living in The Bronx, under the management of his brother Joey (Pesci). That's really the meat & potatoes of what the film is ABOUT, however, the film delves into La Motta's personal setbacks, including his uncontrollable jealousy toward his trophy wife Vickie (Moriarty) and his ongoing battle with keeping in physical shape for the ring. The film details all of his biggest fights, some in montage form, including classic fights with Sugar Ray Robinson and Middleweight Champion Marcel Cerdan. As his career winds down, La Motta finds his anger issues spiraling out of control, with no self acknowledgement of a problem. In the end of his career, La Motta buys a night club (called "Jake La Motta's") where he TRIES to be as entertaining with a microphone as he was with a pair of gloves. Key scenes include La Motta urging his brother Joey to hit him repeatedly in the face, La Motta sobbing into the shoulder of his brother's suit jacket after being forced to throw a fight and the night Sugar Ray Robinson left La Motta's blood dripping from the ring ropes.


While it isn't quite as thought provoking or even as good as "Taxi Driver", I really think that this is the movie that put Scorsese on the map, thanks to the cinematography, the score and the subject matter. When you put "Raging Bull" side by side with "Taxi Driver", this is the one that looks a lot more professional and when watched, shows off memorable scene after memorable scene and just feels like something that should be lauded & praised. Whereas "Taxi Driver" looks a little more gritty and a little more underground; something that was made on a more personal level, "Raging Bull" looks like something that was made for the intention of turning heads and winning awards. Whether or not that was the intention or not, I do not know, but that's how it looks.

I really don't have a lot of in-depth insight to add to this one. Like I said, it just isn't as thought provoking as "Taxi Driver" and while I LOVE me some "Raging Bull", the characters here just aren't AS interesting as the Bickle character. In fact, the characters here are kind of shallow and really show no depth at all. There's no great awakening in the La Motta character; he's just a homophobic, jealous thug who only knows how to do one thing: fight.


However a question came to mind while watching this: Would De Niro have been as successful without Scorsese and vice versa? Look guys, there's a reason some people call De Niro the greatest actor to ever grace the big screen and it's performances like this and "Taxi Driver" that prove those people right. With these two films, you get a chance to see two, completely different De Niro's and see what a versatile actor the man is. In "Taxi Driver" he creates a developed character, with inner torment and in "Raging Bull" he pours his heart out, no to mention the physical changes that must've been rough on him. Now then, take "Raging Bull", "Taxi Driver" and the rest of the Scorsese pictures out of De Niro's filmography and do we still have an actor that people worship? Maybe, but there's also a big "maybe not" on it too. Does Scorsese get the director acclaim that he's gotten without De Niro bringing the acting chops to the table for him? I think this one is a much easier to fathom "what if", because Scorsese IS talented, but I think he makes his name with other pictures and not TD and RB.

RATING: 9/10  Like I said, just not AS good as "Taxi Driver", but still a damn fine movie and one that really looks, sounds and feels like something special. If you've never seen it, then congratulations, your life still has meaning.....to see this picture! Not that it didn't have meaning anyway....

MOVIES WATCHED: 727
MOVIES LEFT TO WATCH: 274

September 12, 2013  11:35pm


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lunes, 9 de septiembre de 2013

611. Taxi Driver (1976)

Posted on 16:17 by Unknown

Running Time: 113 minutes
Directed By: Martin Scorsese
Written By: Paul Schrader
Main Cast: Robert De Niro, Jodie Foster, Albert Brooks, Cybill Shepherd, Harvey Keitel
Click here to view the trailer

SCORSESE WEEK: CHAPTER ONE

Okay, so I should probably explain why I've suddenly decided to do "Scorsese Week" with absolutely no hype or premeditation. This coming Friday night I will be joining the guys of the Big Kahuna Burger podcast to spew some of my cinematic knowledge and the topic will be Martin Scorsese. Yesterday, I received the list of the films the guys want to focus on and "Taxi Driver" and "Raging Bull" were among the selected films. I figured I'd better catch up on both pictures and figured while I was at it, I might as well just make a week of it. For the record, this will more than likely be the final director tribute week, as there just aren't anymore very notable directors left from THE BOOK.

Anyway..."Taxi Driver"...


Travis Bickle: Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up against the scum, the cunts, the dogs, the filth, the shit. Here is a man who stood up.

Travis Bickle: Someday a real rain will come and wash all this scum off the streets.


I'd like to think that by now, all of my fellow film buffs know the plot to "Taxi Driver", but I'll happily detail it for the kids. Robert De Niro IS Travis Bickle, a taxi driver (imagine that), working the streets of New York City and disgusted with society, with the things he sees working the graveyard shift as an insomniac cabbie. Early on. Travis occupies his mind with Betsy (Shepherd), a beautiful blonde who works at the campaign headquarters of a presidential hopeful. He is able to woo her for a while, before fouling up and taking her to a dirty movie as their second date. She dumps him and thoughts begin to flood his psyche. He purchases an arsenal of guns and spends a lot of time at the shooting range and building elaborate, spring-loaded holsters. His plans are to kill the presidential hopeful that Betsy works for, Charles Palantine. However, before he goes through with that plan, he takes on another personal project: The project of getting twelve-year-old Iris (Foster) off the streets. Now a prostitute, Travis questions the girls motives and knows she must want more for herself. Her pimp Matthew (Keitel), however, won't let her go. 

SPOILER ALERT!

Well, yeah, that's about it. It's not a movie that really gives a whole lot to detail, but rather gives a whole lot to think about when the lights come up and you start filing out of the theater. The first time I saw "Taxi Driver", I didn't care much for it. It was definitely one of those films that, for me, took repeated viewings before I was finally able to peel back the layers and it's become one of those movies where every time I watch it, I get new ideas and pick up on new things. I've come to realize that the film isn't just about a nutty hack who cruises the streets. That it's probably the creation of one of the most interesting characters in all of film - Travis Bickle, of course. Not only is "Taxi Driver" a fantastic piece of character development, but also a superbly written (by Paul Schrader) inner conflict, probably the best inner conflict ever committed to celluloid. Here's my breakdown of the events in the film, in handy bullet point form: 


*In the beginning Travis is kind of a pest. He's that guy that tries to talk to you while waiting in the checkout line, that you just try your hardest to avoid. You look the other way, because you know any minute this guy's going to start up about conspiracy theories or how to clean up the streets. If you're a woman and you're attractive, he might try to flirt with you, because Travis has a lot of pent up, sexual tension. We see this displayed when he tries to chat up the checkout girl at the concession counter, at the adult movie theater. At this point, Travis has ideas, but they're not much different than the ideas that cross through everyone's head. We all spout our opinions from time to time, "Man, these streets are full of nothing but hoodlums and dopers" or "Man, they really need to clean up this area, it's just awful". However, at this point, the ideas/opinions are only that...ideas and opinions. They mean something to him, but not enough for him to actually take charge...yet. It's also relevant at this stage in the film to notice the difference between Travis during his inner monologue and when he's interacting with others and speaking out loud. It's a different person. Travis can't seem to materialize the guy he wants to be, maybe doesn't quite know how to express himself the way he'd like.

*Then he meets Betsy and for the first time, he IS able to become that man that he only becomes when he's alone, in his own head. He's a smooth talker and he wins her over. She tells him she's never met anyone like him and of course she hasn't, because at this point, this Travis has never existed. For a while, he's totally normal. No more popping pills, no more rants about the trashy streets. But it doesn't last long at all. Travis fouls up and Betsy is gone. Travis loved her and we know this because of his demeanor when she shows interest. And when Betsy takes her would be love away from Travis and halts his love for her, Travis loses it. This is where those ideas and opinions begin to become a little bit more, something he might like to act on. So he purchases an arsenal of guns and a knife or two and starts to work out, get in shape, get ready to wage war on society. 


*The third stage in Travis' development is when he goes crazy, which I've pretty much already covered with the buying of the arsenal. You also see him shaving his head into a mohawk and plotting to kill the presidential candidate. This mental state is almost averted when he meets Iris and develops care for her. He doesn't love her, as he loved Betsy, but he definitely wants to help her. He sees a glimmer of innocence drowning in a sea of wretchedness. It is during this point in the film too that Travis is also walking a fine line between becoming what he loathes the most (a dredge of society) and wanting to destroy it. In the end, Travis abandons his plans to kill the presidential candidate, when he's almost caught and decides, instead, to save Iris. 

*The final stage of Travis' development, we only see for a few minutes. It's the end of the movie, when we find he hasn't been arrested, but rather, lauded as a hero. He was successful in rescuing Iris and returning her to her family in Pennsylvania. We see Travis one last time, when Betsy gets into his cab and though peering at her in the mirror a few times, he's able to resist and manages to drop her off without trying to rekindle that glimmer of what they had. You have to understand that while Travis and Betsy only had two dates, to him it was probably the most meaningful relationship with a woman this character has ever had. Travis drives off, leaving Betsy. Now we know he's okay, that he was able to successfully extinguish the demons that existed in his head. However, a quick glance into the rearview mirror and a change in the music cue, lets us know that the psyche of Travis may not be completely cured. A happy ending? I say no one knows for sure. 

RATING: 10/10  So there it is, broken down in handy bullet points, for your reading pleasure. I just love this film. It has special meaning to me now and I know that every time I watch it, hereafter, I'll only continue to appreciate it more and continue to uncover new ideas. 

MOVIES WATCHED: 726
MOVIES LEFT TO WATCH: 275 


September 9, 2013  7:15pm


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viernes, 6 de septiembre de 2013

910. LONE STAR (1996)

Posted on 22:23 by Unknown

Running Time: 134 minutes
Directed By: John Sayles
Written By: John Sayles
Main Cast: Chris Cooper, Kris Kristofferson, Matthew McConaughey, Elisabeth Pena, Clifton James
Click here to view the trailer

NOTE: I've decided that instead of jumping back and forth between oldest movies I have left and newest I have left, I'm just going to start going in reverse chronological order. Therefore, I'm just going to continue backwards from "Lone Star" (the newest film I'd yet to watch) and work toward the front of THE BOOK. I'm doing this because the idea of pitting the 50s films against the 90s films doesn't bode well for the 50s flicks, as I grew up on 90s movies and am more prone to enjoy them. I want the 50s movies to get a better chance at getting in my good graces, therefore I'll do them separate from the 90s. Also, remember that I've set aside twenty-five movies (probably the twenty-five biggest, most popular, most important, best films I had left) to be the grand finale to this whole project, hopefully late next year. That is all...

CORRUPTION

I can still remember leafing through THE BOOK when I first got it and wondering what this Matthew McConaughey movie was doing in a text entitled "1001 Movies You Must See Before You Die". The movie was "Lone Star" and despite growing up in the 90s - consuming anything and everything I could get my hands on, movie-wish - I'd never seen it.


The central plot of the story revolves around a skeleton that is dug up at the beginning of the movie, by a couple of schlubs searching for stray bullet casings on an abandoned rifle range. The only clues on the skeleton are a masonic ring and a sheriff's badge. Current Sheriff, Sam Deeds (Cooper) has a hunch (which proves to be right) that the skeleton belongs to the former, racist, corrupt Sheriff Charlie Wade. Wade was the Sheriff way back when, during a time when racial tensions between Mexicans, blacks and gringos was reaching a boiling point and Wade had a hand in everyone's affairs.  The deputy at the time was Buddy Deeds (McConaughey) - Sam's father - who ended up ousting Wade, taking over and becoming a local legend. The film revolves around Sam's investigation into who killed Charlie Wade, which won't be easy to figure out, considering he had a lot of enemies. There's also subplots, with Sam dealing with pent up, never forgotten issues with his late father and a long lost romance with a former girlfriend, Pilar Cruz (Pena), whom he's reconnecting with; not to mention the underlying racial themes.

SPOILER ALERT!

Man, I really didn't like this movie! However, let's kick this off with the good and then we'll tackle the bad and the ugly, before putting this baby to bed.


Let's see....good, good good....ah yes, Chris Cooper! Man, I really need to find myself a top notch Cooper flick, because this guy is the shit and I mean that in a good way! This is his second movie in THE BOOK, the other being "American Beauty". I didn't care too much for AB when I reviewed it a couple of years ago and "Lone Star", despite featuring a great Cooper performance, won't do either. No, what I needed was something like "Adaptation" to be in THE BOOK or another, yet unseen, great Cooper movie. Frances McDormand also shows up here for about five - seven minutes, playing the football crazed and in general CRAZED ex-wife of Sam Deeds, and still, somehow manages to hit a home run, proving that she was bringing her A+ game in 1996. The presence of Kristofferson was welcome too, but he really wasn't given enough time to shine, only appearing in flashbacks and getting the short end of the good dialogue stick. As a matter of fact, I have no cast gripes whatsoever, as McConaughey is barely present and everyone else is mediocre to good. I also dug the ending, which reveals that Sam Deeds and his girlfriend are actually brother and sister (well half anyway).


The rest of it was just an absolute BORE and left me, perhaps more than ever, in a state of befuddlement, wondering what in the hell this movie was doing in THE BOOK. What would possess anyone to think that this is one of the 1001 most must see movies of all-time? I think even the fans of the picture would agree that it's not so good that it needs to be included in the company that it's included with. I just do not get it; not in the slightest. It was mediocre at best and even that's a overstatement, as it just wasn't unique enough or special enough to warrant anymore attention than your average movie. For starters, I'm really beginning to hate films that revolve around racial tensions. Maybe you have to be a racist or a minority to get why this theme is so important, but I'm not racist and being preached to that racism is bad and equality is good, gets old after about two minutes. Then there's the whole investigation into who killed Charlie Wade and the whole time I'm thinking, "WHO CARES?!". The flashbacks are never made prevalent enough to make us actually care about who killed who and why, therefore the whole driving force of the movie was put into low gear and I was left struggling to stay awake. Then it ends up being the Hollis character, as if we're actually supposed to be left mouth agape over that revelation. Puh-lease! Oh and the overlapping the flashbacks with the present was a cheap trick and really irritated me for some reason. It seemed like someone thought it'd be a clever idea (probably Sayles) and it wasn't, it just came off as amateurish. And speaking of the flashbacks, they came up with some of the most feeble excuses to cut to flashback that I've ever seen - "Oh lets have Sam go stand in a field and stare out into space and then we can flashback to something that happened in the same field!" - gimme' a break! I'm going to have to do some digging into John Sayles, as I'm almost completely unfamiliar with him, save for this film, but talk about your bad first impressions.

RATING: 3.5/10  Just a big thumbs down. Chris Cooper and cast poured their hearts out, it's just too bad they didn't have a better script to savor. Nuff said!

MOVIES WATCHED: 725
MOVIES LEFT TO WATCH: 276

September 7, 2013  1:18am

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  • Wolfgang Becker
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  • Wong Kar-Wai
  • Woody Allen
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Blog Archive

  • ▼  2014 (78)
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      • Bresson Week - COMING SOON
      • 644. My Brilliant Career (1979)
      • 794. Une affaire de femmes/The Story of Women (1988)
      • 289. Hill 24 Doesn't Answer (1955)
      • 637. Days of Heaven (1978)
      • 560. BADLANDS (1973)
      • 522. Il giardino dei Finzi-Contini/The Garden of t...
      • 648. Die Blechtrommel/The Tin Drum (1979)
      • Versatile Blogger Award!
      • SINS OF OMISSION - Entry #10: Sin City (2005)
      • June 2014 Recap
      • 364. La maschera del demonio/Revenge of the Vampir...
      • 541. Two-Lane Blacktop (1971)
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