looney tunes

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

sábado, 26 de mayo de 2012

221. The Third Man (1949)

Posted on 10:53 by Unknown

Running Time: 104 minutes
Directed By: Carol Reed
Written By: Graham Greene, Alexander Korda
Main Cast: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee
Click here to view the trailer

WELLES WEEK: BONUS ACT

"Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly." 

Of course, "The Third Man" wasn't directed by Orson Welles, but rather, it was directed by Carol Reed, which is why this is a bonus in the "Welles Week" festivities. I'd been waiting to see "The Third Man" for a very long time and once again I prove that waiting to see something you really want to see is never a good idea.


Holly Martins (Cotten) arrives in post-World War II Vienna, coming at the request of his friend of twenty years, Harry Lime, to start a new job that was offered to him by Lime. When Holly arrives, he finds out, almost immediately, that Harry is dead and makes it there in just enough time to catch his funeral. At the funeral, Holly meets police investigator Major Calloway (Howard), who, after a bit of conversation, informs Holly that Harry was involved in a racket and deserved what he got. Holly doesn't believe that a man like Harry would be involved in any sort of underhanded affairs, so he sets out to find out the truth about his deceased friend. The story goes that Harry was walking down the street, with a friend of his, when another friend called from the opposite side of the street. When Harry crossed to meet his other friend, he was ran over by a car. In fact, it was his own car, being driven by Harry's employed driver. After he was hit, Harry's two friends, as well as a third man, which no one seems to remember being there, carry Harry across the street and are with him when he dies on the sidewalk. In addition to Holly, Harry's girlfriend Anna (Valli) would also like to find out the truth about Harry and she accompanies Holly around Vienna, interviewing eyewitnesses and digging for clues.


SPOILER ALERT!

Some of you may remember the story I'm about to tell, but I'll retell it anyway for the unaware. About a year or so ago, I was walking past the big screens at work (I work at Wal-Mart) and noticed a commercial for TCM's 31 Days of Oscar. As I passed the televisions, my eyes passing from one to the other, trying to keep up with the commercial, I noticed various clips that I recognized. Actually, it was almost like a game - how many clips from the commercial could I identify. As I rattled off the names of the films in my head, I noticed one clip that I did not recognize, but one that really struck me. It was a clip of a man standing by the side of the road, while, what looked to be a woman, walked toward him, up the middle of the road. There were giant trees, spilling their leaves, on both sides of the road and the image was immaculate. I had to know what it was, so I made my way to the IMDB forums and started asking questions. Soon, I got my answer: The clip was from the climax of "The Third Man" and along with the answer, people didn't hesitate to tell me how fantastic the movie was. From there, my excitement to see "The Third Man" mounted and I couldn't wait until I finally got to see that clip in the midst of the film.


Well, with all that being said, I can't say I enjoyed "The Third Man" as much as I would have liked to. I really wanted it to become a personal favorite and unfortunately, it did not. Let me start off by saying that I didn't hate the film or anything, I simply didn't like it as much as I would've liked and ultimately, it was a disappointment. But what was it that turned me off? Why couldn't I get lost in this film? It had everything I could've asked for. It had Joseph Cotten, who I've been a fan of since I watched "Shadow of a Doubt" and in fact, I looked forward to "Welles Week" as much for Cotten as I did for Welles, as I knew he was in three of the six films I'd be watching. It had Orson Welles, albeit for about fifteen minutes, but what a fifteen minutes as he absolutely steals the entire show with his cameo part. It was a film noir, which after "Seven Shadows Week" have appealed to me more and more and in fact, it has been called one of the greatest film noir's ever produced. So I think I have to blame it all on the build-up that I gave this film in my own head. And I can't really say that I waited too long to see it, because as soon as I saw that clip at work, in my head, this was going to be a '10'. So whether I saw it that day or last night, I was going to be disappointed.


The story was okay, but I'd even have to lay some of the blame for my dislike there too. I mean, it was original enough, but was it all that exciting. Harry Lime is dead and his friend is going to play detective and try to figure out what happened. I've come to realize that I dislike films where everyday people become detectives for the duration of a film (see "The Killers"). I hate to say it, but Cotten wasn't even that good in this. His character didn't have the right attitude. He arrives in Vienna and upon hearing that his childhood friend is dead, decides HE'S going to figure it all out. And what about that score? It was okay, but way too chipper for a dark film like this. I don't know, maybe a re-watch, someday will help me to appreciate this movie more, but for now call it a big letdown. The film looked like a masterpiece, with amazing shots popping up constantly, but in the end it just didn't play out like a masterpiece.

RATING: 6.5/10  I was going to go '7', but that would be me pressuring myself into rating it higher, just to "fit in" and I don't want to do that. I'll be spending this three day weekend watching some non "Welles Week" movies, while I wait for "Touch of Evil" to arrive from Netflix on Tuesday.


MOVIES WATCHED: 464
MOVIES LEFT TO WATCH: 537

May 26, 2012  1:49pm

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Carol Reed | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • SINS OF OMISSION - Entry #6: Kill Bill Vol. 2 (2004)
    Running Time: 137 minutes Directed By: Quentin Tarantino Written By: Quentin Tarantino Main Cast: Uma Thurman, David Carradine, Michael ...
  • 648. Die Blechtrommel/The Tin Drum (1979)
    Running Time: 142 minutes Directed By: Volker Schlondorff Written By: Jean-Claude Carriere, Gunter Grass, Franz Seitz, Volker Schlondorff, f...
  • 670. Das Boot/The Boat (1981)
    Running Time: 209 minutes Directed By: Wolfgang Petersen Written By: Wolfgang Petersen, from novel by Lothar G. Buchheim Main Cast: Jurgen...
  • 637. Days of Heaven (1978)
    Running Time: 95 minutes Directed By: Terrence Malick Written By: Terrence Malick Main Cast: Richard Gere, Brooke Adams, Sam Shepard, Lin...
  • 17 Hours
    COMING SOON
  • 793. Rain Man (1988)
    Running Time: 133 minutes Directed By: Barry Levinson Written By: Ronald Bass, Barry Morrow Main Cast: Dustin Hoffman, Tom Cruise, Valeri...
  • 737. Manhunter (1986)
    Running Time: 121 minutes Directed By: Michael Mann Written By: Michael Mann, from the novel Red Dragon by Thomas Harris Main Cast: Willi...
  • 709. Narayama bushi-ko/The Ballad of Narayama (1983)
    Running Time: 130 minutes Directed By: Shohei Imamura Written By: Shohei Imamura, from the novel Narayama bushi-ko by Shichiro Fukazawa Ma...
  • 636. GREASE (1978)
    Running Time: 110 minutes Directed By: Randal Kleiser Written By: Bronte Woodard, Allan Carr, from musical by Jim Jacobs and Warren Casey ...
  • 514. Little Big Man (1970)
    Running Time: 139 minutes Directed By: Arthur Penn Written By: Calder Willingham, from novel by Thomas Berger Main Cast: Dustin Hoffman, F...

Categories

  • Abbas Kiarostami
  • Abel Ferrara
  • Abel Gance
  • Abraham Polonsky
  • Adrian Lyne
  • Agnes Varda
  • Agnieszka Holland
  • Aki Kaurismaki
  • Akira Kurosawa
  • Alain Resnais
  • Albert Lewin
  • Alejandro Amenabar
  • Alejandro Gonzalez Inarritu
  • Alexander Hammid
  • Allan Dwan
  • Amos Gitai
  • Amy Heckerling
  • Andre Bonzel
  • Andre Techine
  • Andy Warhol
  • Anh-Hung Tran
  • Anthony Mann
  • Anthony Minghella
  • Arthur Penn
  • Atom Egoyan
  • Barbara Loden
  • Barry Levinson
  • Baz Luhrmann
  • Bela Tarr
  • Benoit Poelvoorde
  • Bernardo Bertolucci
  • Bill Forsyth
  • Billy Wilder
  • Bobby Farrelly
  • Brian De Palma
  • Bruce Conner
  • Bruce Robinson
  • Bryan Singer
  • Budd Boetticher
  • Cameron Crowe
  • Carol Reed
  • Cecil B. DeMille
  • Charles Crichton
  • Charles Laughton
  • Chris Marker
  • Chris Noonan
  • Claire Denis
  • Claude Chabrol
  • Claude Lanzmann
  • Daniele Huillet
  • Danny Boyle
  • Darren Aronofsky
  • David Fincher
  • David Lean
  • David Lynch
  • David O. Russell
  • David Zucker
  • Delbert Mann
  • Dennis Hopper
  • Denys Arcand
  • Don Siegel
  • Edgar Morin
  • Edgar Wright
  • Edward Yang
  • Edward Zwick
  • Elem Klimov
  • Elia Kazan
  • Emir Kusturica
  • Eric Rohmer
  • Fatih Akin
  • Fernando Meirelles
  • Francesco Rosi
  • Francis Ford Coppola
  • Frank Borzage
  • Frank Capra
  • Frank Miller
  • Frank Tashlin
  • Gavin Hood
  • Geoff Murphy
  • Geoffrey Wright
  • George A. Romero
  • George Cukor
  • George Kuchar
  • George Lucas
  • George Miller
  • George Sluizer
  • Germaine Dulac
  • Gillian Armstrong
  • Giuseppe Tornatore
  • Glauber Rocha
  • Godfrey Reggio
  • Gordon Parks
  • Guillermo del Toro
  • Gus Van Sant
  • Guy Maddin
  • Hal Ashby
  • Hal Hartley
  • Hany Abu-Assad
  • Hark Tsui
  • Harry Smith
  • Hayao Miyazaki
  • Henri-Georges Clouzot
  • Herbert J. Biberman
  • Howard Hawks
  • Hsiao-hsien Hou
  • Hugh Hudson
  • Ida Lupino
  • Irvin Kershner
  • Irving Rapper
  • Isao Takahata
  • Jack Arnold
  • Jack Smith
  • Jackie Chan
  • Jacques Becker
  • Jacques Demy
  • Jacques Rivette
  • Jacques Tourneur
  • Jafar Panahi
  • James Benning
  • James Cameron
  • James Ivory
  • James L. Brooks
  • Jean Cocteau
  • Jean Eustache
  • Jean Renoir
  • Jean Rouch
  • Jean Vigo
  • Jean-Daniel Pollet
  • Jean-Marie Straub
  • Jean-Pierre Jeunet
  • Jerry Zucker
  • Jerzy Skolimowski
  • Jim Abrahams
  • Jim Jarmusch
  • Joel Coen
  • John Dahl
  • John Ford
  • John Frankenheimer
  • John Halas
  • John Hughes
  • John Huston
  • John McNaughton
  • John Sayles
  • John Singleton
  • John Sturges
  • John Woo
  • Jonathan Demme
  • Joris Ivens
  • Joseph H. Lewis
  • Joseph L. Mankiewicz
  • Joy Batchelor
  • Julian Schnabel
  • Kaige Chen
  • Katia Lund
  • Katsuhiro Otomo
  • Ken Jacobs
  • Kim Ki-young
  • Kira Muratova
  • Krzysztof Kieslowski
  • Larisa Shepitko
  • Lars von Trier
  • Laurence Olivier
  • Lee Kresel
  • Leslie Arliss
  • Louis Malle
  • Luc Besson
  • Luchino Visconti
  • Luis Bunuel
  • Luis Puenzo
  • M. Night Shyamalan
  • Marc Caro
  • Marcel Camus
  • Marcel Carne
  • Marcel Ophuls
  • Marcel Pagnol
  • Marco Tullio Giordana
  • Marguerite Duras
  • Mario Bava
  • Mark Robson
  • Marleen Gorris
  • Marlon Riggs
  • Martin Brest
  • Martin Scorsese
  • Maurice Pialat
  • Max Ophuls
  • Maya Deren
  • Mel Gibson
  • Melvin Van Peebles
  • Michael Curtiz
  • Michael Mann
  • Michael Tolkin
  • Michael Wadleigh
  • Mike Leigh
  • Mike Newell
  • Mike Nichols
  • Mikheil Kalatozishvili
  • Miklos Jancso
  • Milos Forman
  • Mohsen Makhmalbaf
  • Monte Hellman
  • Nanni Moretti
  • Neil Jordan
  • Nicholas Ray
  • Nicholas Roeg
  • Nick Broomfield
  • Norman Z. McLeod
  • Nuri Bilge Ceylan
  • Oliver Hirschbiegel
  • Oliver Stone
  • Orson Welles
  • Otto Preminger
  • Ousmane Sembene
  • P.J. Hogan
  • Paolo Taviani
  • Paul Auster
  • Paul Schrader
  • Paul Thomas Anderson
  • Paul Verhoeven
  • Pedro Almodovar
  • Peter Farrelly
  • Peter Greenaway
  • Peter Weir
  • Peter Yates
  • Quentin Tarantino
  • Radu Mihaileanu
  • Randal Kleiser
  • Raoul Walsh
  • Raul Ruiz
  • Remy Belvaux
  • Rene Clement
  • Richard Donner
  • Richard Marquand
  • Ridley Scott
  • Rob Minkoff
  • Robert Altman
  • Robert Hamer
  • Robert Rodriguez
  • Robert Siodmak
  • Robert Zemeckis
  • Roberto Rossellini
  • Roger Allers
  • Roland Emmerich
  • Roland Joffe
  • Ron Shelton
  • Ross McElwee
  • Russ Meyer
  • Sam Peckinpah
  • Samuel Fuller
  • Scott Hicks
  • Sean Penn
  • Sergei M. Eisenstein
  • Shirley Clarke
  • Shohei Imamura
  • Siu-Tung Ching
  • Souleymane Cisse
  • Spike Jonze
  • Spike Lee
  • Stan Winston
  • Stanley Kramer
  • Stanley Kubrick
  • Stanley Kwan
  • Stephan Elliott
  • Sydney Pollack
  • Terrence Malick
  • Terry Gilliam
  • Terry Zwigoff
  • Theo Angelopoulos
  • Thorold Dickinson
  • Tian Zhuangzhuang
  • Tobe Hooper
  • Todd Haynes
  • Todd Solondz
  • Tom Tykwer
  • Tony Scott
  • Victor Sjostrom
  • Vincent Gallo
  • Vincente Minnelli
  • Vittorio De Sica
  • Vittorio Taviani
  • Volker Schlondorff
  • Warren Beatty
  • Wayne Wang
  • Wes Anderson
  • Wes Craven
  • William A. Wellman
  • William Friedkin
  • William Wyler
  • Wim Wenders
  • Wolf Rilla
  • Wolfgang Becker
  • Wolfgang Petersen
  • Wong Kar-Wai
  • Woody Allen
  • Yash Chopra
  • Yasujiro Ozu
  • Yimou Zhang
  • Youssef Chahine
  • Zack Snyder

Blog Archive

  • ►  2014 (78)
    • ►  julio (13)
    • ►  junio (2)
    • ►  mayo (2)
    • ►  abril (6)
    • ►  marzo (16)
    • ►  febrero (22)
    • ►  enero (17)
  • ►  2013 (219)
    • ►  diciembre (7)
    • ►  noviembre (23)
    • ►  octubre (23)
    • ►  septiembre (22)
    • ►  agosto (18)
    • ►  julio (7)
    • ►  junio (10)
    • ►  mayo (23)
    • ►  abril (26)
    • ►  marzo (35)
    • ►  febrero (20)
    • ►  enero (5)
  • ▼  2012 (203)
    • ►  diciembre (10)
    • ►  noviembre (36)
    • ►  octubre (32)
    • ►  septiembre (28)
    • ►  agosto (17)
    • ►  julio (17)
    • ►  junio (33)
    • ▼  mayo (30)
      • 440. Campanadas a medianoche/Chimes at Midnight (1...
      • Double Anderson - COMING SOON
      • 330. Touch of Evil (1958)
      • 959. Moulin Rouge! (2001)
      • 161. I Walked with a Zombie (1943)
      • 221. The Third Man (1949)
      • 209. The Lady from Shanghai (1948)
      • 187. The Stranger (1946)
      • 155. The Magnificent Ambersons (1942)
      • 444. Faster, Pussycat! Kill! Kill! (1965)
      • 589. Bring Me the Head of Alfredo Garcia (1974)
      • 949. KIPPUR (2000)
      • 976. Gegen die Wand/Head-On (2004)
      • 986. TSOTSI (2005)
      • WELLES WEEK - NEXT WEEK
      • 215. Kind Hearts and Coronets (1949)
      • 957. Dancer in the Dark (2000)
      • 850. Conte d'hiver/A Tale of Winter (1992)
      • 870. The Lion King (1994)
      • 897. SE7EN (1995)
      • 210. The Paleface (1948)
      • 151. Now, Voyager (1942)
      • 966. UZAK (2002)
      • 559. La Maman et la Putain/The Mother and the Whor...
      • 7S REPOST: Gun Crazy (1949)
      • 7S REPOST: 190. The Killers (1946)
      • 7S REPOST: 176. Mildred Pierce (1945)
      • 224. The Asphalt Jungle (1950)
      • Seven Shadows: DAY 6 - Gun Crazy
      • 969. Cidade de Deus/City of God (2002)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil