looney tunes

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

martes, 4 de febrero de 2014

834. My Own Private Idaho (1991)

Posted on 9:26 by Unknown

Running Time: 104 minutes
Directed By: Gus Van Sant
Written By: Gus Van Sant
Main Cast: River Phoenix, Keanu Reeves, William Richert, James Russo, Rodney Harvey
Click here to view the trailer

TRYING TO FIT IN

Note: So I was going through the remaining 210 films the other night (with the help of my wife), making sure that I had access to all of them and I realized that I'm still missing "Man of Iron". If anyone reading this can tell me where I can get my hands on this film, I'd be very appreciative. It's the only thing that I don't have access to and could REALLY use a helping hand. Thanks.

Now then...

This was, I think, the third time I've seen "My Own Private Idaho" and every time I watch it, I'm sure that this will be the time I fall in love with it. However, every time I watch it, I'm left wanting something more and have been disappointed every time. More on that later.


Mike (Phoenix) is a street hustler, selling his body for 10s & 20s and suffering from a pretty rabid case of narcolepsy at the same time. The film begins by introducing us to Mike and his fellow hustlers and establishing that Mike was abandoned by his parents at a young age. The film begins in Seattle, with Mike meeting with a few clients (Mike takes on mainly gay clients, but isn't above entertaining the occasional woman). After this, Mike returns to Portland with hustler friend Scott (Reeves), where the two continue their street life. They meet up with an old friend, a father figure to them named Bob (Richert) and together with a group of other street hustlers, the boys plan a robbery. Following this, Scott and Mike travel together to meet with Mike's older brother, in search of Mike's mother, whom he hopes to find and reconcile with. Along the way, Mike professes his love for Scott, but is rejected. It's also worth noting that Scott is set to inherit a fortune from his wealthy father, but chooses the hustler life, mainly to spite the father that he never saw eye to eye with. Their journey leads them to Idaho and then to Italy, as the two try desperately to locate Mike's mother.


What's the point? There really isn't one is there? You've got several different stories, none of which are given enough time to really flourish and in my opinion, the film never really takes off. This was Van Sant's follow-up to his 1989 masterpiece "Drugstore Cowboy", another film that tried a few different stories, centered around the same characters and one that was hugely successful with yours truly. However, this one just didn't have the same success with me and I was left scratching my head & asking the question: "What's the point?" On one hand, you could say that the movie is about Mike's journey to find his mother, with Scott as his tag along, however, that particular storyline doesn't really get going until about halfway into the film and really doesn't define the picture. Other sources say it's simply a take on a few Shakespearean tales, however, that's not really what it's about, is it? THE BOOK notes that it's simply a poetic version of filmmaking, with pictures & images that are just as important as the words. Yeah, that doesn't quite work for me. I'm a man who needs a good, solid story to attach myself to, or I just can't get into it.


It's not that it was all bad. It's hard to ignore Van Sant's style and the movie just feels and even looks like something that should be brilliant. However, under closer observation, it just isn't. Most will point to fantastic acting from a before his time River Phoenix and a never better Keanu Reeves, but I have to disagree. I wasn't crazy about Phoenix and more often than not I thought Reeves was overacting and I never once bought him as a serious actor. The boys were decent at best, but certainly nothing worth writing home about, in this reviewers eyes. I hope that by committing my thoughts to this blog, I'll now remember that I just don't care too much for "My Own Private Idaho". It's one of those films that, prior to this, I'd always tend to forget why I didn't like it and need to rewatch it to find out. The final verdict points to a movie without a definitive plot and something that just isn't as special as others make it out to be.

RATING: 5.5/10  I was gonna go '6', but I think even that might be too high. It's worth noting that this was yet another one from the Netflix wait list, that happened to become available.

MOVIES WATCHED: 792
MOVIES LEFT TO WATCH: 209

February 4, 2014  12:22pm

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Gus Van Sant | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 648. Die Blechtrommel/The Tin Drum (1979)
    Running Time: 142 minutes Directed By: Volker Schlondorff Written By: Jean-Claude Carriere, Gunter Grass, Franz Seitz, Volker Schlondorff, f...
  • SINS OF OMISSION - Entry #6: Kill Bill Vol. 2 (2004)
    Running Time: 137 minutes Directed By: Quentin Tarantino Written By: Quentin Tarantino Main Cast: Uma Thurman, David Carradine, Michael ...
  • 637. Days of Heaven (1978)
    Running Time: 95 minutes Directed By: Terrence Malick Written By: Terrence Malick Main Cast: Richard Gere, Brooke Adams, Sam Shepard, Lin...
  • 670. Das Boot/The Boat (1981)
    Running Time: 209 minutes Directed By: Wolfgang Petersen Written By: Wolfgang Petersen, from novel by Lothar G. Buchheim Main Cast: Jurgen...
  • 737. Manhunter (1986)
    Running Time: 121 minutes Directed By: Michael Mann Written By: Michael Mann, from the novel Red Dragon by Thomas Harris Main Cast: Willi...
  • 636. GREASE (1978)
    Running Time: 110 minutes Directed By: Randal Kleiser Written By: Bronte Woodard, Allan Carr, from musical by Jim Jacobs and Warren Casey ...
  • 793. Rain Man (1988)
    Running Time: 133 minutes Directed By: Barry Levinson Written By: Ronald Bass, Barry Morrow Main Cast: Dustin Hoffman, Tom Cruise, Valeri...
  • 514. Little Big Man (1970)
    Running Time: 139 minutes Directed By: Arthur Penn Written By: Calder Willingham, from novel by Thomas Berger Main Cast: Dustin Hoffman, F...
  • 17 Hours
    COMING SOON
  • 665. The Big Red One (1980)
    Running Time: 163 minutes Directed By: Samuel Fuller Written By: Samuel Fuller Main Cast: Lee Marvin, Mark Hamill, Robert Carradine, Bobb...

Categories

  • Abbas Kiarostami
  • Abel Ferrara
  • Abel Gance
  • Abraham Polonsky
  • Adrian Lyne
  • Agnes Varda
  • Agnieszka Holland
  • Aki Kaurismaki
  • Akira Kurosawa
  • Alain Resnais
  • Albert Lewin
  • Alejandro Amenabar
  • Alejandro Gonzalez Inarritu
  • Alexander Hammid
  • Allan Dwan
  • Amos Gitai
  • Amy Heckerling
  • Andre Bonzel
  • Andre Techine
  • Andy Warhol
  • Anh-Hung Tran
  • Anthony Mann
  • Anthony Minghella
  • Arthur Penn
  • Atom Egoyan
  • Barbara Loden
  • Barry Levinson
  • Baz Luhrmann
  • Bela Tarr
  • Benoit Poelvoorde
  • Bernardo Bertolucci
  • Bill Forsyth
  • Billy Wilder
  • Bobby Farrelly
  • Brian De Palma
  • Bruce Conner
  • Bruce Robinson
  • Bryan Singer
  • Budd Boetticher
  • Cameron Crowe
  • Carol Reed
  • Cecil B. DeMille
  • Charles Crichton
  • Charles Laughton
  • Chris Marker
  • Chris Noonan
  • Claire Denis
  • Claude Chabrol
  • Claude Lanzmann
  • Daniele Huillet
  • Danny Boyle
  • Darren Aronofsky
  • David Fincher
  • David Lean
  • David Lynch
  • David O. Russell
  • David Zucker
  • Delbert Mann
  • Dennis Hopper
  • Denys Arcand
  • Don Siegel
  • Edgar Morin
  • Edgar Wright
  • Edward Yang
  • Edward Zwick
  • Elem Klimov
  • Elia Kazan
  • Emir Kusturica
  • Eric Rohmer
  • Fatih Akin
  • Fernando Meirelles
  • Francesco Rosi
  • Francis Ford Coppola
  • Frank Borzage
  • Frank Capra
  • Frank Miller
  • Frank Tashlin
  • Gavin Hood
  • Geoff Murphy
  • Geoffrey Wright
  • George A. Romero
  • George Cukor
  • George Kuchar
  • George Lucas
  • George Miller
  • George Sluizer
  • Germaine Dulac
  • Gillian Armstrong
  • Giuseppe Tornatore
  • Glauber Rocha
  • Godfrey Reggio
  • Gordon Parks
  • Guillermo del Toro
  • Gus Van Sant
  • Guy Maddin
  • Hal Ashby
  • Hal Hartley
  • Hany Abu-Assad
  • Hark Tsui
  • Harry Smith
  • Hayao Miyazaki
  • Henri-Georges Clouzot
  • Herbert J. Biberman
  • Howard Hawks
  • Hsiao-hsien Hou
  • Hugh Hudson
  • Ida Lupino
  • Irvin Kershner
  • Irving Rapper
  • Isao Takahata
  • Jack Arnold
  • Jack Smith
  • Jackie Chan
  • Jacques Becker
  • Jacques Demy
  • Jacques Rivette
  • Jacques Tourneur
  • Jafar Panahi
  • James Benning
  • James Cameron
  • James Ivory
  • James L. Brooks
  • Jean Cocteau
  • Jean Eustache
  • Jean Renoir
  • Jean Rouch
  • Jean Vigo
  • Jean-Daniel Pollet
  • Jean-Marie Straub
  • Jean-Pierre Jeunet
  • Jerry Zucker
  • Jerzy Skolimowski
  • Jim Abrahams
  • Jim Jarmusch
  • Joel Coen
  • John Dahl
  • John Ford
  • John Frankenheimer
  • John Halas
  • John Hughes
  • John Huston
  • John McNaughton
  • John Sayles
  • John Singleton
  • John Sturges
  • John Woo
  • Jonathan Demme
  • Joris Ivens
  • Joseph H. Lewis
  • Joseph L. Mankiewicz
  • Joy Batchelor
  • Julian Schnabel
  • Kaige Chen
  • Katia Lund
  • Katsuhiro Otomo
  • Ken Jacobs
  • Kim Ki-young
  • Kira Muratova
  • Krzysztof Kieslowski
  • Larisa Shepitko
  • Lars von Trier
  • Laurence Olivier
  • Lee Kresel
  • Leslie Arliss
  • Louis Malle
  • Luc Besson
  • Luchino Visconti
  • Luis Bunuel
  • Luis Puenzo
  • M. Night Shyamalan
  • Marc Caro
  • Marcel Camus
  • Marcel Carne
  • Marcel Ophuls
  • Marcel Pagnol
  • Marco Tullio Giordana
  • Marguerite Duras
  • Mario Bava
  • Mark Robson
  • Marleen Gorris
  • Marlon Riggs
  • Martin Brest
  • Martin Scorsese
  • Maurice Pialat
  • Max Ophuls
  • Maya Deren
  • Mel Gibson
  • Melvin Van Peebles
  • Michael Curtiz
  • Michael Mann
  • Michael Tolkin
  • Michael Wadleigh
  • Mike Leigh
  • Mike Newell
  • Mike Nichols
  • Mikheil Kalatozishvili
  • Miklos Jancso
  • Milos Forman
  • Mohsen Makhmalbaf
  • Monte Hellman
  • Nanni Moretti
  • Neil Jordan
  • Nicholas Ray
  • Nicholas Roeg
  • Nick Broomfield
  • Norman Z. McLeod
  • Nuri Bilge Ceylan
  • Oliver Hirschbiegel
  • Oliver Stone
  • Orson Welles
  • Otto Preminger
  • Ousmane Sembene
  • P.J. Hogan
  • Paolo Taviani
  • Paul Auster
  • Paul Schrader
  • Paul Thomas Anderson
  • Paul Verhoeven
  • Pedro Almodovar
  • Peter Farrelly
  • Peter Greenaway
  • Peter Weir
  • Peter Yates
  • Quentin Tarantino
  • Radu Mihaileanu
  • Randal Kleiser
  • Raoul Walsh
  • Raul Ruiz
  • Remy Belvaux
  • Rene Clement
  • Richard Donner
  • Richard Marquand
  • Ridley Scott
  • Rob Minkoff
  • Robert Altman
  • Robert Hamer
  • Robert Rodriguez
  • Robert Siodmak
  • Robert Zemeckis
  • Roberto Rossellini
  • Roger Allers
  • Roland Emmerich
  • Roland Joffe
  • Ron Shelton
  • Ross McElwee
  • Russ Meyer
  • Sam Peckinpah
  • Samuel Fuller
  • Scott Hicks
  • Sean Penn
  • Sergei M. Eisenstein
  • Shirley Clarke
  • Shohei Imamura
  • Siu-Tung Ching
  • Souleymane Cisse
  • Spike Jonze
  • Spike Lee
  • Stan Winston
  • Stanley Kramer
  • Stanley Kubrick
  • Stanley Kwan
  • Stephan Elliott
  • Sydney Pollack
  • Terrence Malick
  • Terry Gilliam
  • Terry Zwigoff
  • Theo Angelopoulos
  • Thorold Dickinson
  • Tian Zhuangzhuang
  • Tobe Hooper
  • Todd Haynes
  • Todd Solondz
  • Tom Tykwer
  • Tony Scott
  • Victor Sjostrom
  • Vincent Gallo
  • Vincente Minnelli
  • Vittorio De Sica
  • Vittorio Taviani
  • Volker Schlondorff
  • Warren Beatty
  • Wayne Wang
  • Wes Anderson
  • Wes Craven
  • William A. Wellman
  • William Friedkin
  • William Wyler
  • Wim Wenders
  • Wolf Rilla
  • Wolfgang Becker
  • Wolfgang Petersen
  • Wong Kar-Wai
  • Woody Allen
  • Yash Chopra
  • Yasujiro Ozu
  • Yimou Zhang
  • Youssef Chahine
  • Zack Snyder

Blog Archive

  • ▼  2014 (78)
    • ►  julio (13)
    • ►  junio (2)
    • ►  mayo (2)
    • ►  abril (6)
    • ►  marzo (16)
    • ▼  febrero (22)
      • 285. Guys and Dolls (1955)
      • 246. Ikiru/To Live (1952)
      • 691. De stilte rond Christine M./A Question of Sil...
      • 300. The Night of the Hunter (1955)
      • 511. WOODSTOCK (1970)
      • 331. Bab el hadid/Cairo Station (1958)
      • 399. The Cool World (1963)
      • 579. The Conversation (1974)
      • 534. The French Connection (1971)
      • TOP 20: #702 - #801
      • 657. MAD MAX (1979)
      • 767. HOUSEKEEPING (1987)
      • 405. Flaming Creatures (1963)
      • 771. Hong Gao liang/Red Sorghum (1987)
      • January 2014 Recap
      • 775. Mujeres al borde de un ataque de nervios/Wome...
      • 818. Hitlerjunge Salomon/Europa Europa (1990)
      • 531. Harold and Maude (1971)
      • 276. The Barefoot Contessa (1954)
      • 774. Sinnui yauman/A Chinese Ghost Story (1987)
      • 834. My Own Private Idaho (1991)
      • 613. Voskhozhdeniye/The Ascent (1976)
    • ►  enero (17)
  • ►  2013 (219)
    • ►  diciembre (7)
    • ►  noviembre (23)
    • ►  octubre (23)
    • ►  septiembre (22)
    • ►  agosto (18)
    • ►  julio (7)
    • ►  junio (10)
    • ►  mayo (23)
    • ►  abril (26)
    • ►  marzo (35)
    • ►  febrero (20)
    • ►  enero (5)
  • ►  2012 (203)
    • ►  diciembre (10)
    • ►  noviembre (36)
    • ►  octubre (32)
    • ►  septiembre (28)
    • ►  agosto (17)
    • ►  julio (17)
    • ►  junio (33)
    • ►  mayo (30)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil