223. Orphee/Orpheus (1950)

Running Time: 95 minutes
Directed By: Jean Cocteau
Written By: Jean Cocteau
Main Cast: Jean Marais, Francois Perier, Maria Casares, Marie Dea, Edouard Dermithe
Click here to view the trailer

POETIC

Writing this from the laptop (as per usual nowadays) but not at the comfort of my desk chair, but rather with the laptop in my lap (imagine that) and sitting comfortably on my bed. Honestly, it seems very informal not to be sitting in my swivel computer chair right now, but lets see how this goes. "Orpheus" is the movie of the day and it's the first entry in THE BOOK for the 1950s. If everything goes as planned, the rest of the season will be filled out evenly with films from the 1950s and the 1990s.

Last season I watched "Black Orpheus" and therefore I was slightly familiar with the story of "Orpheus", although to be honest, I've almost entirely forgotten that film. The film starts with Orpheus (Marais), a famous poet, arriving at an outdoor coffee shop, to meet a friend. The friend chit chats with him a bit and points out another poet, up and comer Cegeste (Dermithe). Turns out Cegeste is drunk, one thing leads to another and Cegeste is run over by a couple of bikers. Cegeste's handler, the Princess (Casares), has the limp body of Cegeste loaded into her car and calls for Orpheus to join them, since he witnessed the whole thing. Orpheus agrees and he's plunged into a world of mystery. The two return to the Princess' mansion, where she meets up with the two bikers that ran Cegeste down and then proceeds to seemingly raise Cegeste from the dead. Orpheus doesn't know what to make of any of this and before he knows it, he's plunged back into the real world, where he's to return home to his wife, Eurydice (Dea). There, he just isn't himself anymore, being very short with Eurydice. He's accompanied by Heurtebise (Perier), a chauffeur for the Princess, who we find out is actually Death - the Princess Death. Orpheus becomes obsessed with secret messages coming from the car radio and reuniting with the Princess Death. Later, Death comes and takes Eurydice and the only way to get her back is for Orpheus to go into the "other world" via a mirror (the means of travel for Death, ghosts and other supernatural beings). It turns out that Death and Orpheus have romantic feelings for one another, as does Heurtebise for Eurydice. It's just one big supernatural love quadrangle.

You know, I started this movie on Monday night and made it about fifteen minutes in before realizing I was too tired and calling it quits. The following night, Tuesday night, I tried again, got about forty minutes in this time and once again got too tired to give it my proper attention. So, last night, I was finally able to finish it off and as much as I really wanted to like this one, I got the sense that I just wasn't in the mood for it. I never flat out said to myself, "Man, I'm just not in the mood for this", but I just could never quite settle into the picture and that must have been the ultimate problem. Honestly, there wasn't a lot of bad here: the actors were superb, to say the least; the special effects were ahead of their time; the dialogue was quotable, real and poetic, yet not too poetic, the photography was great and the story was good without too much resembling a fairy tale (like "Beauty and the Beast"). I just don't have a lot of criticisms for "Orpheus", yet I still found myself continually checking the time to see when the film was going to be over and I'm really not sure why. I think it was a case of me just not being in the mood for the film at the time and honestly, this one REALLY deserves a rewatch someday, when I can get more into it. Honestly, I wouldn't mind checking out the entire "Orphic Trilogy", especially if it shows as much potential as this. For now, I'll leave it at that. I'm just sort of at a loss for words on this one, as it showed so much potential, yet still, somehow left me with a dry taste in my mouth.

RATING: 6/10  Definitely deserves a rewatch someday. I really can't tell if I was flat out bored by it or just not in the mood for it. It was definitely a feeling I don't walk away from movies with often.

MOVIES WATCHED: 708
MOVIES LEFT TO WATCH: 293

August 8, 2013  2:31pm

Read More

188. La Belle et la Bete/Beauty and the Beast (1946)

Running Time: 93 minutes
Directed By: Jean Cocteau
Written By: Jean Cocteau, Jeanne-Marie Leprince de Beaumont
Main Cast: Jean Marais, Josette Day, Mila Parely, Nane Germon, Michel Auclair
Click here to view the trailer

TALE AS OLD AS TIME

For the new arrivals to the "1001 Movies I (Apparently) Must See Before I Die" blog, I'll be resuming an idea that I started last season. It's basically where I watch the five oldest movies I have left from THE BOOK and then the five newest and so on and so forth, until I meet in the middle. I've also taken the liberty of excluding twenty-five films from this practice, to save for the finale. As it is, "Beauty and the Beast" WAS the oldest film I had yet to watch.

Note: Tonight I'll also begin the practice of playing a little classical music as I write my reviews, on a very low volume. It's quite relaxing and perhaps will serve to stimulate my brain and make for some better reviews. We'll see...

We all surely know the story of "Beauty and the Beast", whether we saw it as children of the 90s, when Disney produced it in 1991 or perhaps we're just familiar with the tale that is indeed, as old as time. The main female character is Belle (Day). She's sort of a Cinderella type character, reduced to scrubbing floors and keeping house, despite her striking physical beauty, while her two snotty sisters are never subjected to such chores and instead take to ridiculing her. One evening while their father is trying to make his way home through a dark forest, he becomes lost and wanders into a castle. Inside the castle he is poured a glass of wine by a lone hand, cropping up out of the center of a table and the room is lit by arms, with seemingly no bodies, that hold glorious candlesticks, illuminating the massive halls. Soon, Belle's father meets the lord of the manor, a beast (Marais) who wants his life. Belle's father begs for his life and the beast makes him a deal: He may return home, only if one of his daughter's will return to the castle the following day and take his place in death. Belle's father leaves and when he arrives home and tells his story, Belle offers to take his place. The next day, Belle rides a glorious white horse named Magnificent back to the beasts castle, where she intends to take her father's place in death. However, the beast falls in love with the beautiful Belle and instead of killing her, asks for her hand in marriage. Belle, despite budding feelings for the beast, cannot seriously acknowledge the beasts proposal and instead asks for his friendship and secretly wishes he were human. When Belle learns that her father is growing very ill, she pleads with the beast to let her go and visit him. He allows it, but tells her that if she doesn't return within one week, he shall die of grief.

So yeah, that's basically it. I'd seen "Beauty and the Beast" once before and while I appreciate the merits of the fairy tale, I have to say I wasn't too impressed with this rendition. In fact, I'd go so far as to say that this 1946, Jean Cocteau version of the story was quite boring and severely dated. Of course, I guess it SHOULD be dated, as it is a story that needs to be told from a centuries old point of view. However, this one just hasn't aged well and it's age is prevalent when watching. In fact, it truly feels more like a film made in 1926, rather than 1946. Cocteau fancied himself a poet and therefore "Beauty and the Beast" is quite the over-romanticized little tale, full of all the things a you'd expect to see in a movie directed by a poet/filmmaker. If memory serves me correctly (as I haven't seen it in YEARS) I'd say the 1991 Disney production of the story is a more successful adaptation and works a lot better. It (again, if memory serves) takes the time to build the romantic relationship between Beauty and Beast and also takes the time to detail the character of Avenant/Gaston. I really SHOULD take the time to check that film out, while I still have this version fresh in my mind. Here everything just seems so rushed and nothing is ever elaborated on, as if it's just assumed that we can fill in the details on our own. The character of Avenant really never has proper motivation and is really never established as a villain until the last act, when he and Ludovic decide to steal the beasts riches. Also, it seems like only ten minutes passes between the time Belle arrives at the castle, repulsed by the beast and the time in which she's professing feelings for him. Too rushed, too boring and too dated does not a good film make.

RATING: 4.5/10  Quick and painless tonight, as I just don't have much to say about this one. Two films remain from the 1940s and I plan to have them both capped off by weeks end.

MOVIES WATCHED: 705
MOVIES LEFT TO WATCH: 296

July 30, 2013  9:56pm

Read More