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Mostrando entradas con la etiqueta Max Ophuls. Mostrar todas las entradas
Mostrando entradas con la etiqueta Max Ophuls. Mostrar todas las entradas

domingo, 2 de junio de 2013

202. Letter from an Unknown Woman (1948)

Posted on 17:06 by Unknown

Running Time: 86 minutes
Directed By: Max Ophuls
Written By: Howard Koch, Stefan Zweig, from the novel Brief einer Unbekannten by Stefan Zweig
Main Cast: Joan Fontaine, Louis Jourdan, Mady Christians, Art Smith, Howard Freeman
Click here to view the trailer

"BY THE TIME YOU READ THIS LETTER, I MAY BE DEAD..."

After "Letter from an Unknown Woman" there are only three films left for me to watch that come from the decade of the 1940s. To be honest, the 40s really haven't been too kind to me, nor I to them. As I write this, only ten movies from THE BOOK, from the 40s, have been granted an appearance on my TOP 20 lists and I don't have high hopes for this one either.


The film is told almost entirely in flashback. The film opens with Stefan Brand (Jourdan), a concert pianist, arriving home at night and finding a piece of mail. The mail (that is the letter from the title) is from Lisa Berndle (Fontaine) and we slip into our flashback. We head back to when Lisa was a teenager, in Vienna, living in a closely set group of apartment houses and remembering back to one day when a moving van showed up outside the residence. It was Stefan and he was moving into one of the vacant apartments. Lisa recalls being infatuated with him, despite not even seeing him for the longest time. She'd hear his music from the courtyard and happily daydream about the man behind the melodic tones. One day, as he's exiting the building, she holds the door open for him and is put into a dream world when he smiles back at her and thanks her. Time goes on and Lisa recalls her mother remarrying and having to move away from the building and resisting the idea passionately. The new family moves to Linz and Lisa eventually settles in and swallows the pill she's been served. Fast forward years later and Lisa is back in Vienna, working at a dress shop. Through a series of events, she and Stefan meet and he's infatuated with her. He courts her for the evening, as the two have dinner, visit an amusement park (in the winter) and ride on a novelty train. They (in not so many words) pledge their love to one another, but the following day, Stefan announces that he must go away for a concert. While he's away, Lisa learns of her pregnancy (by Stefan) and wanting to be the one woman who never asks him for anything, she doesn't bother telling him about it. Years later Lisa is married to a wealthy man and raising her son, but does she ever see Stefan again?


Honestly, I think I have to blame myself for not liking this one, as I just wasn't in the mood for this sort of thing last night. I was never going to love "Letter from an Unknown Woman", but I think under different circumstances, I would've liked it a bit better. In fact, I was totally taken by surprise by this movie, because going into it I had absolutely no clue what it was even about, so maybe that worked against it too. Judging by the title, the film sounded like a murder mystery and the word "unknown" alone got my mind to thinking that this film must be filled with intrigue. As it turns out, it was just a melodramatic love story about a girl who gets a crush on a semi-celebrity and kind of goes a little crazy. I mean, Lisa turns the stalker dial all the way up to '11' and somehow we're still supposed to be rooting for her, hoping to God she gets the guy. Look, if Lisa had existed in the real world, we'd be wrapping her firmly in a straightjacket and ushering her directly into her personalized padded cell. But this is Hollywood in the golden ages folks, where stalkers were considered romantics and Humphrey Bogart was ALWAYS...ALWAYS a bad ass.



Am I reading far too much into this or is it possible that Lisa made up the entire letter? I mean, what are the odds that this world traveled pianist is going to give this girl the time of day, let alone fall in love with her? If you think about it, we never get a confirmation from Stefan that this letter and the contents are genuine. Sure, he looks a little rattled at the end, but hearing from a stalker can rattle a guy...I'd think. I'd really like to think that Lisa was indeed mad and that everything contained within the letter is utter make believe on her part. Even the whole part about him not remembering her, when they hook up again, years later is just too hard to believe and sounds like something a man hating female might be disillusioned over. I'm probably totally off track and I guess what I'm trying to say is that romance like this just doesn't exist outside of the world of an overly melodramatic movie. Call me a skeptic, but it's true. The performances were fine and had I seen him in something a little more my style, I would've absolutely loved Louis Jourdan. He oozed that classic Hollywood star look and backed it all up onscreen. Fontaine was kind of *meh*, playing it a little too cool and quiet and I'll take "Rebecca" any day over this. All in all, it was an utterly average night at the movies and maybe someday, when I'm feeling extra sentimental and overly romantic, I'll give this one another go around.

RATING: 5/10  Another incredibly mediocre film and now I really need things to pick up to send this season off the same way it started...with a BANG!

MOVIES WATCHED: 695
MOVIES LEFT TO WATCH: 306

June 2, 2013  8:02pm

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martes, 3 de julio de 2012

220. The Reckless Moment (1949)

Posted on 15:13 by Unknown

Running Time: 85 minutes
Directed By: Max Ophuls
Written By: Mel Dinelli, Henry Garson
Main Cast: Joan Bennett, James Mason, Geraldine Page, Henry O'Neill, Shepperd Strudwick

BLACKMAIL!

Moving right along, we come back to the 1940s and my first offering from classic director Max Ophuls and his 1949 Hollywood film, "The Reckless Moment".


The film begins by introducing Lucia Harper (Bennett) and retelling a story that happened about a week before Christmas, when, one morning, without telling her family, she drives the car into Los Angeles to meet with a man. The man is Ted Darby (Strudwick) and he's been seeing Mrs. Harper's daughter, Bea (Page). The trouble is that Lucia doesn't want him seeing her daughter any longer, because she isn't even eighteen yet and he's much older. Mr. Darby says that if Lucia makes it worth his while, monetarily, he'll leave Bea alone. Lucia doesn't pay him, citing that his statement alone would be enough to turn off Bea. Lucia returns home and shares the information with Bea, who doesn't believe her. Later that night, Bea sneaks out of the house to meet with Ted and ask him if he really asked for money in exchange for never seeing her again. He admits that he did and in a fit of rage, Bea knocks him in the head with a flashlight, spilling him over a railing, accidentally murdering him. Bea doesn't realize that he fell or that he died, as she runs back into the house, broken-hearted. The next morning, Lucia discovers the body of Ted and confronts Bea about it, who knows nothing. Lucia sinks the body into the river, with an anchor tied to his foot and hopes that it will be the end of her nightmare. The following day the paper's are reporting that a murder has taken place and that night, Lucia finds a man in her home, requesting $5000 in exchange for love letters that Bea wrote to Ted.

SPOILER ALERT!


Since I really spilled my guts about the Darren Aronofsky films, I think we'll keep this one short & sweet. "The Reckless Moment" was a fine film-noir. It wasn't the best film-noir I've seen this 100, but it wasn't the worst either. The plot is very simply and isn't stretched far, seeing as how the running time is kept under ninety minutes. The cast was good enough, with Joan Bennett and James Mason handing in satisfactory performances. I really like Mason and really wish I could find a knockout film starring him; perhaps "Lolita" will be that film. Anyway, my main problems with this film were the odd twists that the plot took. After Mason's character shows up, requesting money in exchange for the love letters, his character seems to go a little loopy, acting far too nice for the villain in a film-noir. He continues sending niceties toward Lucia, until he eventually falls in love with her. However, she's happily married, with a home in the L.A. suburbs and two kids. Nothing is ever made of his budding love interest in her and by the end, I was left scratching my head, wondering what the motivations of this character were supposed to be. Also, the film has a problem heightening the suspense. This film could've been chock full of suspense, but everything is kept contained and nothing ever gets far too out of hand for these characters. After the set-up in the beginning, Lucia is left to deal with Mason's character and then a man named Nagel, whom we never really find out much about and he's left to be this mystery bad-ass. It's good, but it's not so good that it needed to be included in THE BOOK. 'Nuff said.

RATING: 6.5/10  I'm pretty sure Max Ophuls has three more films in THE BOOK, so here's hoping the scripts get a little better and the characters are more fleshed out.

MOVIES WATCHED: 494
MOVIES LEFT TO WATCH: 507

July 3, 2012  6:10pm

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